26 September 2016

Chant Training at Ealing Abbey, London


Chant from the Gregorian Missal and other sources is learnt and sung each week, and at a Mass in the Abbey Church one Sunday each month as well as a Mass at a local care home monthly.  Beginners able to sing in tune and experienced singers are welcome.
6.40 – 8 pm every Wednesday in the Bulbeck Room, Ealing Abbey, Marchwood Crescent, W5 2DZ

Enquiries:  Fr. Peter Burns, OSB  020 8862 2100 / ealingabbeypottery@gmail.com

25 September 2016

Chant training at Farm Street, London

Schola Gregoriana
Gregorian Chant Instruction

Directed by Dr. Peter Wilton, B.Ed (Hons.)  M.Mus
(Editor of chant for the Office of Vespers for Westminster Cathedral Choir)
Discover the profound beauty and infinite variety of this timeless music by learning to sing it.
From 6.30 to 8 pm on Tuesdays:
September 27th
October 4th,  25th
November  8th,  22nd,  29th
December  13th ( at 26 The Grove, Ealing, W5 5LH)
At Farm Street Church, 114 Mount Street,  London,  W1
(nearest tube stations:  Bond Street or Green Park)

06 August 2016

Dominican Rite Compline in York, 21-27 August

As part of the Yorkshire Medieval Churches (Church Explorers) Festival 2016, and to commemorate the 800th anniversary of the Dominican order, the Rudgate Schola are going to be singing Compline by candlelight using the old Dominican Rite (with its processions) each evening from Sunday 21st August to Friday 26th August at 8.30pm. On the final day, 27th August, they shall sing Vespers using the Roman Rite (Extraordinary Form) at 3.30pm and conclude with Dominican Compline at 8pm.

The venue for all of this is St Mary's Church (the oldest in York), Bishophill Junior, York YO1 6EN.

06 May 2016

Chant Conference in Toronto, August 11-14, 2016

As about a quarter of this blog's page-views come from North America, I think it worth mentioning this forthcoming event in Canada.

Prof. William Renwick writes:

It is going to be a wonderful time, focusing on practical chant singing, but also with a series of lectures on chant in honour of the late Dr. Andrew Hughes, who did so much to further research in Gregorian Chant.  Our guest clinician is Adam Bartlett, who will also be directing the chant for the Sunday mass.  There will also be sung offices each day, a banquet, and a concert.  All events are at the beautiful St. Augustine's Seminary.
Please go to
http://www.gregorian.ca/wp/index.php/colloquium-2016/for full program information, registration, and accommodation.

I would add that the line-up of speakers looks most impressive.

04 April 2016

Successful GCN Chant Weekend


After a gap of two years, we were able to organise a residential Chant Weekend again this year, in parallel with the St Catherine's Trust Family Retreat.


It was led by Colin Mawby and Chris Hodkinson; a dozen singers attended. As usual, the singers on the course were able to accompany the liturgies of the event, three Masses, Vespers and Benediction, two Complines, and a procession of thanksgiving: which, in accordance with tradition, started with the Te Deum and concluded with the Canticle of Zachary.


So there was plenty of live, liturgical singing, with an appreciative congregation, as well as practice, theoretical discussion, and a session on organ accompaniment of chant.


The Family Retreat was also very successful, and the combined event attracted more than 90 people. The Retreat was led by two yound priests from the community on Papa Stronsay in the Orkneys, the Sons of the Holy Redeemer: Fr Magdala Marie F.SS.R and Fr Jean Marie F.SS.R.. Both the Retreat and the Chant course were sponsored by the Latin Mass Society.


13 March 2016

Palm Sunday and Easter Resources from the Schola Gregoriana Malvernensis

In a previous post I shared some examples of Lenten Tracts in a simple organum setting by Alastair J. Tocher, director of the Schola Gregoriana Malvernensis. Here are some further resources for Palm Sunday and Easter:

Palm Sunday: The Gradual (Gregorian, with simplified psalm tone verse).

Palm Sunday: The Tract (Gregorian, with alternating psalm tone and organum verses).

Easter Sunday: Gregorian/Polyphonic Gradual. Alastair has prepared a new edition of the Gradual - Haec dies - for Easter Sunday in which the Respond (the initial portion) is sung in Gregorian chant but with the Verse sung in a simple four-part setting by Cesare de Zacharia (circa.1594).
The edition is available free for liturgical use.

Easter Sunday: Gregorian/Polyphonic Alleluia. He has also prepared a new edition of the Alleluia - Pascha nostrum - for Easter Sunday in which the initial Alleluia is sung in Gregorian chant, the verse is sung to a simple psalm tone (VII), and the final Alleluia is sung in a simple four-part setting by Giuseppe Pitoni (1657-1743).
The edition is free for liturgical use.

Many thanks to Alastair for sharing these, and best wishes to all of you who are currently preparing music for the Holy Week and Easter liturgies.

04 March 2016

GCN Chant Training Weekend 2016


The Gregorian Chant Network's annual big chant course - a three-day intensive course (Friday afternoon/evening to Sunday morning) - will take place 1st to 3rd April 2016. That is, Easter Friday to Low Sunday, the weekend after Easter itself, at Ratcliffe College, near Leicester.

It will be led by Colin Mawby, the well known composer, and Christopher Hodkinson, one of the Musical Directors of the Schola Gregoriana of Cambridge. 

Each of them has an enormous experience of chant, its interpretation and performace, and having two chant teachers will enable participants to be divided for various purposes in the course of the weekend, enabling everyone to be taught in a way appropriate to their experience.


The course has always run alongside the St Catherine's Trust Family Retreat. Apart from seeing the vast number of small children devoted to the Church ancient liturgy, which is always fun, this means that participants in the chant course have the opportunity to sing at a succession of live liturgical events with an appreciative audience. Each of the three days has a Traditional High Mass, which have a special interest because it will be the week after Easter. There is also Compline on two days, and Vespers and Benediction on the Saturday. The Retreat this year will be led by two priests of the Sons of the Holy Redeemer from Papa Stronsay, Fr Magdala F.SS.R and Fr Jean F.SS.R .

For prices see here.

The GCN's hope is that the course will be taken by enough members of a given group to make a difference to performance when they get home, and not just by an individual here and there. It is up to Chant Directors to make this happen!


More details.
Online booking form.

Or email us: info@stcatherinestrust.org

12 February 2016

A Lenten Tract Setting in Organum (UPDATED with Tract for Lent I)

The Lenten Tracts are some of the most challenging items in the Gregorian repertoire, both for length and difficulty. Some editions of the Liber Usualis include an appendix, setting the text of the Tract to a Psalm tone - the minimalist approach.

Alastair J. Tocher, director of the Schola Gregoriana Malverniensis,* proposes a more interesting way of making the Tract manageable for small choirs, giving the opening verse in its original Gregorian setting, and setting the subsequent verses to a plainsong Psalm tone, alternating with parallel organum. He writes:
It is not original but rather merely follows the arrangements used by a founder of the Association for Latin Liturgy, Dr Dick Richens, and used at Our Lady and the English Martyrs in Cambridge over many years. We never had it written down, just vaguely annotated in our graduals.
Click here for an example. This is the Tract for the third Sunday in Lent; if there is enough interest, Alastair may be able to produce settings for some of the other Sundays of Lent.


UPDATE: Here is the Tract for the First Sunday in Lent - just in time for anyone who is panicking about tomorrow's Mass!

Do let us know if you use any of these settings.


* "The main blessing for the [Latin Mass] community here at Worcester - St John the Baptist, Spetchley - has been the arrival of the Schola Gregoriana Malverniensis who sing at a monthly Mass in the Traditional Rite in the chapel." Margaret Parffrey, 'Diocesan Digest', Mass of Ages: the quarterly magazine of the Latin Mass Society (Spring 2016).

23 January 2016


The earliest forms of chant notation show various signs called neumes "in campo aperto", that is, without any ruled staff-lines to indicate pitch; "in campo aperto" means "in an open field".

Click here to learn more.


26 November 2015

Chant workshop arranged by the Latin Mass Society for Juventutem London

The Latin Mass Society has long been the sponsor of the monthly Sung Masses organised by Juventutem London; this Saturday, thanks to the LMS, the Juventutem Schola will be receiving training from the young professional musician, Graham Neal, a day arranged by the Latin Mass Society's London Director of Music, Matthew Schellhorn.

for members of the Juventutem London Schola Cantorum

Saturday 28 November 2015 at 10:00
St Mary, Moorfields

with Mr Graham Neal (tenor)

10:00 Meet and greet
10:10 Group singing led by Mr John Simmonds; observations made by Mr Graham Neal (repertoire: hymn Rector potens and psalm 73 vv. 1–9)
10:30 Paired lessons begin in 20-minute slots (everyone else observing), i.e.:
10:30 singers 1 and 2 (Nick Hurle and Brynn Binnell)
10:50 singer 3 and 4 (Alex Smith and Richard Hawker)
11:10 singer 5 and 6 (Kitty Malkin and Katrina Madely)
11:30 break
11:40 singer 7 and 8 (David Madeley and John Simmonds)
12:00 Angelus
12:05 Group session with Graham
12:30 Sext (tutti)
13:00 ends

Graham Neal read music at the University of Surrey where he was awarded the Robert Naylor prize for the most meritorious degree recital. During this time he held a choral scholarship at Guildford Cathedral. Graham subsequently studied on the Knack opera course at the English National Opera and as a postgraduate at Trinity College of Music. He now studies with Jenevora Williams and Nicholas Powell. Graham has a wide repertoire as an oratorio soloist.  This year he has sung Mahler Symphony No. 8, VerdiRequiem, Rossini Petite Messe Solennelle and Bach Mass in B minor.

On the operatic stage, Graham has performed the roles of Don Ramiro, La Cenerentolafor Brent Opera and Opera Loki, Ferrando, Cosi Fan Tutte at Greenwich Theatre, Belmonte, Die Entführung aus dem Serail in Camden, Sextus Julius Caesar at Blackheath Halls, Don José Carmen at Greenwich Theatre, and Worldly Glory Pilgrim's Progress for the Philarmonia at Sadler's Wells, as well as being a chorus member for English National Opera, Festival d'Aix-en-Provence, Opéra Comique, l'Orchestre des Champs-Elysées and Stanley Hall Opera.

Graham is adept at choral singing, appearing frequently in concert and on recordings. He sings with the Monteverdi Choir, Polyphony, Philharmonia Voices, English Voices, the NDR Chor and Cappella Nova. Recent television appearances have included John Eliot Gardiner's Bach Marathon and Bach: A Passionate Life for the BBC with the Monteverdi Choir.

10 November 2015

Seminar on the rhymed Office of St Magnus

Any readers who happen to be in Orkney next week would be most welcome to come and hear me talk about my reconstruction of the music for the rhymed Office in honour of St Magnus of Orkney.

From the Centre for Nordic Studies website:
Dr Ben Whitworth: 'Rhymes in honour of St Magnus: an echo of medieval Orkney?'
When Nov 17, 2015
from 07:30 PM to 09:00 PM
This seminar will be held at Orkney College. Free entry. All welcome.

Please come!

10 October 2015

Chant Workshop Days presented by Opus Anglicanum

Opus Anglicanum's Chant Experience Days are led by John Rowlands-Pritchard, who studied medieval song with Professor John Stevens and early Gregorian chant with Dr Mary Berry, and who has sung throughout Europe with the Schola Gregoriana of Cambridge. These events are open to anyone and all are welcome. Mr Rowlands-Pritchard has sent us details of the forthcoming events:

Sat 31st October
Worcester Lodge, Badminton, GL9 1AH 10 am - 5 pm
The day will be in the wonderful and unusual Worcester Lodge, an 18th century Banqueting Lodge on the Badminton estate. The day concludes with an informal performance of a sequence of chant for All Hallows.
£25 (u-18 £5) Morning and afternoon refreshments and a bread & cheese lunch included. 
Please book in advance at www.opus-a.co.uk (preferred) or cheque ‘Opus Anglicanum’ by post: 36 Berrington Road, Chipping Campden GL55 6JA

Sat 27th February 2016 (to be confirmed) 

Charlcombe Church, Bath

Sat 5th March

St Woolos Cathedral, Newport NP20 4EA
Run by RSCM South East Wales. 
Further details to follow on website.

Sat 12th March

St George’s Church Dorchester, Dorset DT1 1LB 10 am - 4 pm 
Chant associated with Venantius Fortunatus - Vexilla regis, Salve festa dies, Pange lingua gloriosi. Participants perform Compline with Opus Anglicanum in the evening concert.
Details and tickets from Dorchester Arts www.dorchesterarts.org.uk

Mon 25th April - Thurs 28th April 

Benslow Music Trust, Hitchin SG4 9RB
GREGORIAN CHANT: A RESIDENTIAL COURSE. I encourage readers to consider booking for Benslow Music Trust’s residential course on Gregorian chant.   It is warmly recommended as a rewarding opportunity to dedicate time to experience Gregorian Chant. Benslow is a very special place, and  offers a tradition of hospitality and friendship for music makers of every sort. The Chant course will be one of a number happening in this beautiful house with enjoyable meals and accommodation.  
All information & booking http://benslowmusic.org  01462 45944

Opus Anglicanum latest news: http://blog.opus-a.co.uk

08 September 2015

Chant evening classes with the Schola Gregoriana in London

The Schola Gregoriana is running chant evenings at the Farm Street Church, 114 Mount Street, London W1 at 6.30 pm each Tuesday from 22nd September to 8th December 2015

Directed by Dr. Peter Wilton, B.Ed. (Hons.) M.Mus., Editor of chant for the Office of Vespers for Westminster Cathedral Choir.

Practical instruction includes:   Chant performance, Music for the Mass and Daily Offices, English and Latin texts.

Anyone able to sing in tune is welcome, with or without chant experience.    

£5 per evening, or £50 for the whole term.

Enquiries to Mr. G. Macartney, Schola Gregoriana , 26 The Grove,  Ealing,  London  W5 5LH   

Tel:  020 8840 5832 (answerphone when out)  

E-mails:  grey.macartney@gmail.com

04 September 2015

Chant news from France

Rather short notice, this, but if you can get to Saint-Antonin-Noble-Val (Tarn & Garonne) this weekend, Una Voce France are organising a conference on chant and a number of liturgical ceremonies, as part of the town's medieval festival. Details here, including times of Mass, Benediction, Vespers - and chant rehearsals for any willing volunteers!

The Una Voce France online shop may also be of interest for its selection of chant books, CDs, &c.

22 August 2015

Dominican music in Oxford: Friday 11th September


Free concert for PMMS members!

On Friday 11th September, at 6pm in Lincoln College Chapel (Turl Street, Oxford), there will be a PMMS-sponsored concert, showcasing music that can be associated with the Dominican Order--both friars and nuns.  Sung by a small group of Oxford choral scholars, the programme will include Dominican chant, Dominican-composed sequences, Notre-Dame polyphony (used as binding fragments in Dominican books), and trouvere songs compiled by a Dominican. 

The concert is part of a wider conference on the Influences of the Dominican Order in the Middle Ages; thanks to PMMS sponsorship, the concert is open to all PMMS members to attend for free.  To do so, just 

emaileleanor.giraud@lincoln.ox.ac.uk to reserve a place.  

For further information on the conference, visit: http://www.torch.ox.ac.uk/influences-dominican-order-middle-ages