30 May 2011

Pope Benedict, and St Bernard, on Sacred Music

I came across this section of a speech Pope Benedict made on September 12, 2008 at the Collège des Bernardins in Paris.

"For prayer that issues from the word of God, speech is not enough: music is required. Two chants from the Christian liturgy come from biblical texts in which they are placed on the lips of angels: the ‘Gloria,’ which is sung by the angels at the birth of Jesus, and the ‘Sanctus,’ which according to Isaiah 6 is the cry of the seraphim who stand directly before God. Christian worship is therefore an invitation to sing with the angels, and thus to lead the word to its highest destination.[...] From this perspective one can understand the seriousness of a remark by Saint Bernard of Clairvaux, who used an expression from the Platonic tradition handed down by Augustine, to pass judgement on the poor singing of monks, which for him was evidently very far from being a mishap of only minor importance. He describes the confusion resulting from a poorly executed chant as a falling into the ‘regio dissimilitudinis,’ the ‘zone of dissimilarity [...], into a remoteness from God, in which man no longer reflects Him, and so has become dissimilar not only to God, but to himself, to what being human truly is. Bernard is certainly putting it strongly when he uses this phrase, which indicates man’s falling away from himself, to describe bad singing by monks. But it shows how seriously he viewed the matter. It shows that the culture of singing is also the culture of being, and that the monks have to pray and sing in a manner commensurate with the grandeur of the word handed down to them, with its claim on true beauty. This intrinsic requirement of speaking with God and singing of Him with words He Himself has given, [texts of Sacred Scripture] is what gave rise to the great tradition of Western music. It was not a form of private ‘creativity’, in which the individual leaves a memorial to himself and makes self-representation his essential criterion. Rather it is about vigilantly recognizing with the ‘ears of the heart’ the inner laws of the music of creation, the archetypes of music that the Creator built into his world and into men, and thus discovering music that is worthy of God, and at the same time truly worthy of man, music whose worthiness resounds in purity.”

It is an internal quotation from an article discussed by Fr John Zuhlsdorf, which notes, alas, that the Holy Father has not, so far, done much in the musical field as Pope, despite his evident interest in the matter and the powerful things he has said about it.

09 May 2011

Colin Mawby on censorship of music for the new Missal translation

This is part of the talk he gave at the Gregorian Chant Network weekend course, 9th April this year.

07 May 2011

Report on Spanish Place workshop

I was able to attend the 'advanced' parts of two days of the three-day workshop in St James' Spanish Place in London, led by Dom Yves-Marie Lelièvre, Choirmaster at the Abbaye Saint-Pierre de Solesmes, France.
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A group of about 20 singers attended all or part of the advanced singers' sessions with Dom Lelièvre, in which he introduced propers for the Masses and Vespers which were to be sung. He approached it from the Graduale Triplex, but showed us photocopies of the manuscripts upon which the Triplex is based. He also discussed the history of the modern chant editions: the 1908 Vatican edition of the Graduale Romanum, and the Antiphonales of 1912 and 1932. New editions, based on the research which has built up over the last century, are now finally appearing.
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But above all we sang the pieces. Dom Lelièvre is an engaging teacher, with a complete mastery of the Gregorian canon and great sensitivity to its interpretation. His approach places the text first: he urged us to understand the text and pray it from our hearts as we sang. The melodies serve the text, and not the other way round. His interpretation was the opposite of mechanical and rigid; some issues simply depend on the accoustics of the church, for example. We had to watch his marvellously expressive hands while we sang - ideally, he said, we should know the piece by heart.
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Not only was it a very interesting two days from a musical point of view, but it was a great gathering of singers from all over the South East of England and even overseas. It was organised with great efficiency by Candy Bartoldus who directs the choir at Spanish Place.
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See more photos here.

03 May 2011

Canterbury Chant workshop

See www.gregoriansociety.org or email contact@gregoriansociety.org

1. Saturday 21st May: 12.00 St Dunstan's Church, St Dunstan's Street, Canterbury CT2 8LS
'The Angelus, the Ave and the Salve' for St. Dunstan. rehearse in the church at 11.30, sing at 12.00. The service lasts about 10 minutes. Cost: free

2. Saturday 28th May: Workshop day with Philip Duffy (Schola Gregoriana of Cambridge) on the First Vespers for the Nativity of the Blessed Virgin Mary from English sources the 13th century Worcester Antiphoner and the Hereford Breviary. 10-5.30 at St. Thomas's Church, Burgate, Canterbury CT1 2HJ; includes a visit to Canterbury Cathedral Archives for a talk on mediaeval music manuscripts and a small exhibition of documents.

We will sing the Vespers in St. Thomas's Church at 5pm.

Cost members £15, non-members £30.

Further information on website www.gregoriansociety.org. or email contact@gregoriansociety.org

14 April 2011

Workshops with Dom Yves-Marie Lelièvre

Dom Yves-Marie Lelièvre is the Choirmaster at the famous Monatery of Solesmes; this is an opportunity to hear what he has to say about chant, based on the latest scholarship, in workshops at St James' Spanish Place.

Gregorian Chant with

Dom Yves-Marie Lelièvre, Choirmaster

Abbaye Saint-Pierre de Solesmes, France

St. James’s Roman Catholic Church, Spanish Place

Dom Yves-Marie Lelièvre will be lead instructor of a Gregorian Chant Workshop at St. James’s 5-8 May 2011. Participants will be singing under his direction.

Everyone is welcome to attend the following:

5 May (Thursday): 5.00 pm Vespers and 8.30 pm Compline

7 May (Friday): 8.30 am Mass, 5.15 pm Vespers, and

8.30 pm Compline

8 May (Saturday): 1.15 Sext , 4.30 pm Vespers and

6.00 pm Mass

Advanced workshop sessions are full, but spaces may be available for the Friday (10 am-12 pm) class on singing Liturgy of Hours and Saturday beginners class.

For more information: Contact Candy Bartoldus (cbartold@gmu.edu) or call the Rectory at 020 7935 0943.

11 April 2011

GCN Weekend Course

The course took place last weekend and was a great success, with about 20 participants, under the direction of Colin Mawby. For more on the Family Retreat which runs alongside the Chant Course see LMS Chairman blog.

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At the final Mass all the singers sang some of the Mass propers, and most of them sang all of them.

During the course, we sang at all the liturgies of the St Catherine's Trust Family Retreat: three Sung Masses, Compline twice, one Vespers and Benediction, and a Marian procession, during which we sang the Litany of the Saints, the Litany of Loreto, and the Stabat Mater.

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Benediction after Vespers.

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Compline, with the cantors pre-intoning the hymn Te Lucis to Fr Andrew Southwell, who presided.

24 March 2011

Last call for the Chant Weekend

We have a good number of people signed up for the Gregorian Chant Network Chant Weekend with Colin Mawby, but there are still places available. Please don't delay: book now!

The course runs from 8-10th April, that is Friday to Sunday.

It starts on Friday afternoon, with Mass at 5pm, followed by dinner at 6.30. You can register either before Mass or after Mass, if you can't make the earlier time. It ends with lunch on Sunday.
Here is the application form.
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This is a unique opportunity to be taught by Colin Mawby, the distinguished composer and former Director of Music at Westminster Cathedral, in the context of the Traditional Mass (EF). As well as sung Mass each day, there will also be Vespers, Compline and Benediction. The course runs alongside the St Catherine's Trust Family Retreat, so we will have an audience for our singing!

The full cost of £90 is discounted as low as £30 for groups from the same schola, so come along and bring your friends!

Two people from one choir: £60 each
Three or more people from one choir: £40
An additional £10 off for Latin Mass Society members.
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15 March 2011

Sound from the Portsmouth chant course

You can hear it here.

The Gregorian Chant Course continues at St John's Cathedral Portsmouth until June 2011. The next Workshop in the series takes place this Saturday 19 March, running from 1000 to 1600, when the participants will have the opportunity to put their skills into practice in the Cathedral at Vespers and Benediction.


If you have not previously registered it is not too late to do so, please contact me. Reductions are available for students, children and groups. Bursaries are also available on application. Please pass the word.


This Saturday's Workshop will include a continuation of the organ accompaniment practicum led by Neil Wright.


If you can play a melody instrument (strings, brass, woodwind etc.) you are invited to bring your instrument to this Workshop. Players of low-register instruments

(cellos, trombones, bassoons etc.) are especially welcome. Instrumentalists are requested to bring a music stand. Please contact me if you plan to bring an instrument.

Some pictures and recordings from the last Workshop are at our blog page - thanks to Liz Masebo for arranging. Do have a look, and especially a listen as it sounds very good:

http://gregorianchantportsmouth.wikispaces.com


Remaining Course dates are: 16 April and 11 June

13 February 2011

New Chant initiative at Maryvale

An interesting snippet from the Catholic Herald, about the Birmingham Oratory. The Maryvale Institute is, of course, located in Birmingham.

“It also announced that Fr Anton Guziel would become parish priest, replacing Fr Guy Nicholls, who has been in the post for 10 years.

The statement said that Fr Nicholls would be setting up a school for liturgical music in partnership with the Maryvale Institute.

Fr Richard Duffield, provost at the Oratory, said its focus initially would be to teach Gregorian chant to clergy who want to set up choirs in their parishes. He said it aimed to “implement the Holy Father’s desire to have more plainchant and Latin in the liturgy”.”

Catholic Herald, 11 Feb 2011

08 February 2011

Report on Portsmouth Chant Days

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(Chris Hodkinson leading a Chant workshop in Portsmouth Cathedral).

More than 100 different people have attended one of the current series of Chant Workshops organised at St John’s Cathedral in Portsmouth by the Schola Gregoriana Sancti Nicolai (chant choir in Portsmouth). The Workshops are part of a pioneering Course in Gregorian Chant which continues at the Cathedral until June 2011.

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(Chris and Abbot Cuthbert Brogan with the singers.)

Each Workshop introduces a new theme. At the January Workshop, Abbot Cuthbert Brogan, the Benedictine Abbot of St Michael’s Abbey in Farnborough - who co-directs the Course with Christopher Hodkinson of the Schola Gregoriana of Cambridge - gave a fascinating introduction to the Divine Office (the daily prayer of the Church) and Vespers. This was followed by practical instruction in singing Vespers which the participants then sang together with Benediction in the Cathedral.

Up until now, participants have learned to sing the Chant without any accompaniment. At the next workshop on Saturday 19 February we will welcome the organist Neil Wright, who will introduce us to the organ and its use in conjunction with Gregorian chant. There will also be an opportunity for a small group of participants with keyboard skills to study chant accompaniment with Neil in more detail, beginning at this workshop and continuing in March (please contact me if you are interested).

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(Some of the singers.)

The March workshop, on 19th, will see a further exploration of the use of instruments in plainchant performance, as we celebrate the feast of St Joseph. Players of melody instruments (strings, brass, woodwind etc.) are invited to bring their instruments to both February and March workshops to participate in this. Players of low-register instruments (cellos, trombones, bassoons etc.) are especially welcome. Instrumentalists are requested to bring a music stand. (Please contact me if you plan to bring an instrument or if you have any questions).

Every effort has been made to keep the Course fee as low as possible. For those who haven’t yet signed up, the individual Workshop fee is £15 and the course book (Parish Book of Chant) is available at discounted price of £10. Reductions on the Workshop fee are available for students, children and groups. Bursaries are also available on application.DSC04819_em

(Abbot Cuthbert presiding at Vespers in a cope.)

Please contact the organisers, the Schola Gregoriana Sancti Nicolai, as soon as possible, as follows:

E-mail: chantnetwork@gmail.com or Telephone: 023 92862384

Next Workshop is on Saturday 19 February, starts 1000.

Remaining Course dates are: 19 February, 19 March, 16 April and 11 June

There are a couple more photos here.

03 February 2011

Proportionalism in the Chant

A fascinating article based on numerous historical sources on rythm in the chant, by Alasdair Cordona of Salmaire, Gregorian Chant Study and Performance Group (Edinburgh), can be read here.

Only rarely do we read hints that chant may have been rhythmically differentiated, and only in two instances are there remarks about the choir singing in strict proportional rhythms. Sometimes silence may speak volumes, but an argumentum ex silentio is weak for all that.
Gregorian chant (2009), David Hiley, p185

Is it true that only rare hints and an argumentum ex silencio support the use of proportional durations in Latin chant? Or is it rather the case that there are only rare (and condemnatory) descriptions of rhythmic nuancing and an argumentum ex silencio supporting that instead?

27 January 2011

Gregorian Chant Network: new logo

We are pleased to announce our new logo.
It was designed for us by Daniel Mitsui, a Chicago-based artist, of the Lion and the Cardinal blog.

26 January 2011

Schola Gregoriana Spring Weekend

Associates’ Spring Weekend, Holy Cross Priory, Leicester

11-13th March 2011

March 11-13, Holy Cross Dominican Priory, Leicester hosts a programme of Gregorian and Dominican chant and worship with beginners’ and more advanced classes preparing Vespers, Compline and for Mass in Ordinary and Extra-ordinary forms. For details go to www.scholagregoriana.org 'events' or ’phone a local organiser (01509 852259 or 0116 2856158).

More details.

Booking form.

24 January 2011

St Bede the Musician

From an email.

I am writing to you in my capacity of the Chair of the Friends of Bede's World, a museum in Jarrow which celebrates the life and times of Bede. Amongst other things, we arrange public lunchtime lectures on the last Saturday of the winter months. In our wisdom (or foolishness) we decided to theme this year's lectures under the banner of "Bede the Musician"

I'd like to invite the North East Early Music Forum to attend the lectures. They are free of charge, once you are in the museum (entry to the museum costs £5.50 for an adult, with concessions for the unwaged and families. Of course, you could become a Friend of the museum, paying a single £15.00 per adult which gives you free entry to the museum for a year), and I think we have an exciting programme:

January 29th, we have Gordon Jackson speaking under the title "Chad and the Angels": Gordon is a poet who has translated most of Bede's Latin hymns into English

March 26th, we have John Rowlands-Pritchard speaking under the title of Bede and Monastic and Roman chant. John is also running a workshop on Gregorian Chant, for which there will be a cost

On April 1st the Durham Singers are holding a concert in St, Paul's Church, Jarrow, including some modern choral settings of Bede's texts

April 30th, we have Katherine Barker speaking under the title "Aldhelm of Malmesbury, poet and composer: setting the scene for Bede's World of Music". Katherine has recently supervised a recreation of Aldhelm's "Carmina"

And on October 29th, we have Carl Phelpstead of Cardiff University: no title as yet, but he's promised something on secular music of the period

Thank you for taking the time to read this email

Further information on the website:
http://www.bedesworld.co.uk/friends-of-bedesworld.htm

Yours faithfully
D. Richard Walsh

Chair
Friends of Bede's World


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